Posts Tagged ‘original music’

IMG_4100A clear night

But street lights outshine the stars up there.

And who knew Venus has phases

Just like the moon?

The boy asleep on the backseat,

I close the car door quietly.

We’re coming home without you.

The work week

And trash night,

I think about all the fights

We’ve ever had-

“Who’s in charge here, me or you?”

But for once we just might agree

It’s not your or me.

Not when we’re coming home without you.

What a mess we must look like

From the outside.

You show up larger than life

And me, always trying to hide.

But I could bring you to your knees

And you wouldn’t resist,

Or so I’d like to believe.

That’s when it feels dangerous.

Makes me think I should leave.

But I’m never sure when to run.

And tonight there’s no one here to run from.

A clear night

But street lights outshine the stars up there.

And who knew Venus has phases

Just like the moon?

We do

Because we’ve been through

So many phases

Still I never thought I’d be

Coming home without you

~Paula Sutor, 2005

Despite my best efforts to maintain this blog on a regular basis it seems I’ve gotten caught up in a lot of other things that demand my attention and have taken away my time and motivation to write.  These other things include my youngest son’s Little League participation, my older son’s play rehearsal schedule, my ever increasing commitments to play keyboards for various musical projects including my own, and finally, my current need to watch every television show or film that features Benedict Cumberbatch. (IMDB says he was in War Horse, but I don’t remember his part.  Perhaps I will watch it again . . .)

Upcoming on my musical horizon is Shot in the Dark‘s show at Hotel Utah on May 9th, and then a one-off performance with NYC singer/songwriter Marianne Pillsbury at Doc’s Lab in San Francisco on May 23rd.

Here’s a clip from Shot in the Dark’s last show at 50 Mason Social House, featuring Sunni Mcgarity on vocals.  She will also be performing with us at Hotel Utah and hopefully beyond.

I met Sunni while working with Emily Palen and KnightressM1.  Emily is currently working on her first studio album, so KnightressM1 is on hiatus from live performances.  This clip is from a show we played last October and gives you some idea of the amazing energy and talent driving this project.

Also, I’m pleased to announce that the track I played on with the Debora Iyall Group, “Watching the Detectives” is now available on the Elvis Costello tribute CD, Beyond Belief .  The wonderful thing about this compilation is that the proceeds benefit the Mr. Holland’s Opus Foundation, an organization that donates musical instruments to schools that otherwise would not be able to offer music programs to their students.   The range of artists who have contributed is also amazing, so definitely check it out.  Here is a taste of the Debora Iyall Group’s rendition of  “Watching the Detectives”.

Finally,  if you are still in need of more music, here is a recording of my most recent Second Life performance.  My Second Life stage name is Demolicious Wonder, and while I’ve mostly sworn off performing in the virtual world, I will do a show now and then.  I think this one turned out fairly well, and also features many of my original songs that will never be performed live otherwise, so take a listen if you have a moment.

 

Thanks for reading and listening!

 

 

A long time ago, 1996 or so, I wanted to be Kate Bush fronting Marillion; a winning combination certain to win the hearts and minds of middle America.  Unfortunately I had neither the voice of Kate Bush nor the enigmatic charm of Fish and so every project to which I brought this vision floundered for a bit, hemorrhaged drummers, and then died a slow, whiny death.  I’ve gotten over that now.  It took me almost 20 years but I have  finally come to realize I cannot sing and perhaps more importantly, prog really is the fine china of the music world- it should only be used on special occasions under certain circumstances.

Despite all this, I believe I came closest to my dream in this song.  Inspired by a binge of both watching and reading Dune,  “Little Death” is performed by a short lived band tentatively named , Make Way for Ducklings.   My poorly drawn husband is killing it on piano, and Glen Douglas  plays lead guitar;  I think Russel Pickett is on  bass, but that may also be a midi controlled keyboard bass.  The drums are programmed, because just like my vibrator, programmed drummers do exactly want I want them to do for exactly as long as I want them to do it, and don’t expect me to make a sandwich for them afterwards.

The video was filmed in Second Life in Forgotten City.

 

Welcome, Little Death

Black wings flutter in a flag of surrender

My dreams like vultures pick the corpse bare and fly off to another

Welcome, Little One

The world in your head is immense and you cross it with a step

Reluctance conquers and rules with innocence

She was never pretty, she was not the best,

She had expectations just like all the rest

She was not the brightest, she was never blessed

She held out for more, and ended up with less

Welcome, Little Fear

You sense your time has come, you jump the gun and march

on your own country

Compromise the borders and find

There’s nothing left of me

Welcome, Little Death

We always knew you’d come our sole excuse

and all forgiving friend

So kiss this demon dream goodnight

And let it end

She was never pretty, she was not the best

She had expectations just like all the rest

She was not the brightest, she was never blessed

She held out for more

And ended up with nothing

Unforgivable, the things we do sometimes

The posture we take in a room and the way we hold our eyes

The stares we never meet and the things we never say

We think we’re holding out but we’re giving it all away