Posts Tagged ‘indie’

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only loversjpgI spent Saturday afternoon at The Opera Plaza Cinema watching Only Lovers Left Alive, exactly where I had wanted to see the movie when I first heard about it. While the film does have a very 90’s feel – Jarmusch, vampires, Tilda Swinton, a soundtrack of moody, heavy guitar, it did not allow me to time warp back to 1995 as I had hoped: Indie Movie  Time Machine. You can travel back in time, but only while the movie is playing. No, I didn’t get that experience.   Instead I felt anchored to my present reality, one in which I’m rather busy with my family and new music and the slightest attempt at starting my own business. It’s nice to be so connected to my current life, but I do enjoy getting lost in a good movie and I’m afraid this one just wasn’t powerful enough to make that happen.

When it was over, my fellow film goers agreed it was visually beautiful, but slow-paced, with moments of dry humor. It seemed to me that seventy percent of the main characters’ dialogue consisted of historical and scientific facts, a constant reminder of the ages and information the vampires had witnessed and absorbed in their long lives.

“Do you think it was written that way out of sarcasm or irony?” asked one of the women in our group. “I mean they were such snobs. Was he  making a point about snobbery?” I’ll go with that. Perhaps the point is that the thinking-man’s vampire will become turgid, not with blood but knowledge that, while impressive, can become just as much a crutch as violence or melodrama when used so extensively.   Or perhaps I’m the real snob here. . . But then, Tom Hiddleston.

Meanwhile, back in my everyday life, I’m excited to be part of KnightressM1’s upcoming show at the Milk Bar in San Francisco on June 5th. Violinist/vocalist Emily Palen is the creative force behind KnightressM1, and she is one of those rare people with a direct connection to the music god(dess).   I first saw and heard Emily at The Red Devil Lounge with the band, Dolorata and she has since gone on to play and record with many groups in the Bay Area as well as the Foo Fighters. The music I’m helping her bring to the stage is more electronica influenced than the music she regularly performs with her power trio. It’s beautiful and compelling and I was immediately drawn to it. It’s also subtly complex and nuanced. It is definitely challenging me in regards to knowledge of my gear, Ableton Live, as well as my musicianship.

Here’s a song we will be performing on June 5th.  Enjoy!

 

 

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It will be loud.

Join us!

Wednesday night found me on the other side of the Bay Bridge on Telegraph Avenue in Oakland where I discovered a cozy little dive called The Stork Club.  It’s true, I had booked a show at a venue sight unseen and I was thrilled to find a nice large room with a working video projector, a pull down screen at the back of the stage, and a very accomodating sound person who upon seeing my set up suggested I check out Amy X. Neuberg, Polly Moller and Joan La Barbara.   Although a lot of my friends couldn’t make it out that night, it still turned out to be a great evening.  My set went off really well, Snow Angel did not dissappoint, Ziva Hadar was effortlessly amazing, and Silent Motif had us all dancing to their other-worldly beats.

Snow Angel

Ziva

Silent Motif

You can still catch me live online this weekend.  I’ll be broadcasting into the virtual world of Second Life twice tomorrow (Sunday 2/25), once at 1 pm PST at The Notes Shack Pub,  and then in the evening at 9:30 pm PST as part of the Metaverse Music Expo. Signing up for Second Life is free, but if you want nice shoes, it will cost you!

From my upcoming EP – Phases Like The Moon

Elevator Music

In the made for TV movie of you and me
You would be played by James Spader
And I would be Ally Sheedy
And we’d meet in a hospital elevator
Where you had just learned that it was terminal
While I was checking in for shock therapy
And our eyes would meet as the doors slid closed
And then – Ah, and then – Oh
And then seven stories – down we go!

Don’t walk away
Don’t walk away
I still need you babe
In my own special way

I like elevator music
Do you like elevator music?
Elevator music
I like
Elevator Music

I hear you coughing in the darkness
And now I’m crawling through the debris
My hands are groping all the skin, blood and bone
They won’t be showing this on TV
I don’t know if my legs are working
And still I feel a little ache
I climb on top of you
Confess that I’ve been stalking you
And then Ah and then oh
And then time for a commercial break!

Don’t walk away
Don’t walk away
I still need you babe
In my own special way

I like elevator music
Do you like elevator music?
Elevator music
I like
Elevator Music

A little bit dark, and a whole lot of weird, this song was inspired by a long-term crush that ended badly.  The song itself has its roots in a musical project than never got off the ground, but introduced me to the groove-based punk band, The Transplants. While it sounds nothing like The Transplants, their music gave me  new ideas on how to approach writing.

This song has, in my mind, always needed a music video and so when I first recorded it I put one together.  Eight months pregnant at the time and deep into making machinima with The Sims 2, Elevator Music first hit YouTube like this.  Let me know which one you like better.