Posts Tagged ‘music’

Deadhau5Wife

A couple of weeks ago I decided I needed some really heavy bass synth sounds for a song I’m working on.  I loves me some free VST Plugins, but thought I might broaden my horizons and check out free demos to see the range of what is out there.  I came across Native Instruments’ Massive, immediately downloaded it , fired up Cubase and was ready to give it a whirl when my son called me into his room.  He wanted to show me something he had created.  I tried putting him off for a few minutes while I messed  with a couple of the presets,  but it became apparent he really wanted my attention so off I went.

After checking out my son’s latest Lego creation, I headed back towards the kitchen only to spy a basket of laundry I had collected a little earlier that day.  I decided to be proactive and take the laundry down to the washing machine.  Once I had the wash started I realized there was more laundry in the dryer.  I’ve been working very hard to stay on top of things and not let it all pile up, so I took that laundry upstairs, folded it and put it away.  In the process I came across a shirt that needed a button sewn back on.  Well, there happened to be a few things in my “needs mending” pile, so I took all of that out to the living room, sat down and made necessary repairs. Now I felt really good about myself.  I was getting things done!

I started towards the bedroom by way of the kitchen when I saw my laptop sitting there with  an odd message on the screen.  I immediately checked it out in fear that is was my  virus protection software alerting me to some download doom.  Nope.  It was simply a message from Native Instruments telling me my thirty minute trial of Massive was up and thanking me for giving it a try. D’oh!

 

 

It’s the weekend before Halloween so expect costumes and craziness!

I’ll be playing a short set of my solo stuff to open for Gina Montel’s new band, The Grand Desire.

When it comes to being a one-person band, a producer/performer if you will, it would appear that boys like their laptops and their big fancy light shows and us girls like our gizmos and gear.  I don’t have a term for it yet, but I’m seeing a trend of female artists who aren’t quite electronica yet definitely use electronica elements in the creation of their music.  I think I may be part of a genre and I’m in good company!

For myself, I got the notion of using a looper from watching guitarists and originally was planning to use my JamMan Loop Pedal with just a bass guitar, layering notes to build chords and rhythms.   It didn’t quite gel for me and I put the whole thing away for a while.  Somewhere between putting it away and pulling it out again to loop keys and drum machines, I encountered Lily Taylor and I think I would be remiss to not admit her performance style was an inspiration. Using a loop pedal, effects pedals, and Casio keyboard, Lily layers lush vocal harmonies over ambient synths to create hypnotic music.  She is currently based out of Austin, TX, but seems to visit the San Francisco Bay Area on a regular basis to perform.

Poised on hitting the mainstream, Grimes is a Canadian artist who also performs with a keyboard,  effects pedals and a sampler.   Her vocals are lovely and ethereal, while her music ranges from ambient to pure pop.  She recently performed on Jimmy Fallon and I’ll admit I was a bit sad to see they felt the need to dress up her performance with back up dancers and some special effects, but it was still a beautiful performance.

Finally, there is MNDR, which is actually a duo comprised of Amanda Warner and Peter Wade, but Warner performs solo.   I’ve seen Warner perform with a synth and also with a guitar, but it seems she is focusing mostly on singing live.  She reminds me a bit of Kim Wilde (of Kids in America fame) so I guess I’ve included her here just because I really like the music. She’s also opening for Duran Duran these days.  I think I would like to be her when I grow up. Heh.

I recently realized that I am anti-laptop when it comes to music performance.  It feels like a crutch to me, or maybe I just don’t want to compete on the same playing field as all the people who can kick serious a** with Ableton Live.   I currently describe my music as having all the canned sounds of electronica and all the shaky timing of a garage band (ba-dump-ba), although in truth, I think my timing is pretty amazing considering I make most of my loops live on the fly.

Currently I’m beginning pre-production on my next recording project and also thinking I’d like to perform live again soon.  This song, Lessons, performed at the Stork Club in February, will most likely be on my next CD. Check it out and enjoy.

“Burn” with Pauli Gray

 

“Say Anything” with Pauli Gray

 

 

April seems to be all about doing the work:  tearing down my studio so I can get it water-proofed and remodeled; learning to be flexible with practice time and space when I don’t have a dedicated area; learning new material for upcoming shows.  But I’m pretty sure it will all pay off, in some cases as soon as next month.

My biggest news is that I’m playing keys for Debora Iyall’s backing band. I’ve mentioned Debora in a previous post; she was the lead singer of Romeo Void, a seminal post-punk band from the 80′s.    The whole situation seems a little too good to be true, so I’ve been very quiet about it, afraid I might jinx it in some way.  However, we have a show coming up on Cinco de Mayo at Armandos in Martinez, CA so I guess it’s time to make it official.

And here’s a preview of some of the music you’ll be hearing if you make it out to the show:

 

 

A Jimi Hendrix tribute performed by the very talented Stev Ohanis (guitar), Dave Wenger (bass) and John Tucker (drums) will kick off the evening, and I’ll even play a few solo songs before the main event.

Later on in the month of May, on th 22nd,  I have a show at El Rio with special guest Zoid.

 

 

 

 

 

 

The heavy rains in my area have caused water to  seep into my studio/rehearsal space and I’ve had no choice but to tear down all my equipment and begin the process of ripping up the soaked carpet to see what’s going on and how it can be fixed.  This leaves me with nowhere to practice, and of course with my contrary nature, I want to practice now more than ever since it’s not an option.  I’ve even got new songs in my head dying to get out but they will have to wait.

In the meantime, I threw together this video in an effort to feel like I can still be creative.  I’m always torn about throwing things together.  Truth be told, I’m an idea person, but I’ve figured out that it’s the execution that counts.  Some people have a natural instinct for knowing when their work is polished; I remain a diamond in the rough and perhaps will always be just that.  This video is a perfect example of less than perfect pieces coming together to make . . . less than perfect art from a less than perfect artist.

On a side note, I realized only after I made the video (filmed in Second Life) that my virtual self is hanging out in a virtual studio, perhaps of my subconscious longing to have my real studio back.

Enjoy!

Wednesday night found me on the other side of the Bay Bridge on Telegraph Avenue in Oakland where I discovered a cozy little dive called The Stork Club.  It’s true, I had booked a show at a venue sight unseen and I was thrilled to find a nice large room with a working video projector, a pull down screen at the back of the stage, and a very accomodating sound person who upon seeing my set up suggested I check out Amy X. Neuberg, Polly Moller and Joan La Barbara.   Although a lot of my friends couldn’t make it out that night, it still turned out to be a great evening.  My set went off really well, Snow Angel did not dissappoint, Ziva Hadar was effortlessly amazing, and Silent Motif had us all dancing to their other-worldly beats.

Snow Angel

Ziva

Silent Motif

You can still catch me live online this weekend.  I’ll be broadcasting into the virtual world of Second Life twice tomorrow (Sunday 2/25), once at 1 pm PST at The Notes Shack Pub,  and then in the evening at 9:30 pm PST as part of the Metaverse Music Expo. Signing up for Second Life is free, but if you want nice shoes, it will cost you!

Having spent most of January trying to shake off a nasty eye infection, I have found my way to February feeling and looking mostly normal. These past few weeks have been a string of happy collisions with some extraordinarily talented people. I often feel my universe expands and contracts in a cyclical fashion. For a while I will feel like I am working in a vacuum, completely isolated and then suddenly it all explodes, just like the big bang, and I am propelled into new space.   And in that moment  I realize that I’m part of something much larger, the amazing and eclectic San Francisco Bay Area music scene.

The lineup of artists playing with me at The Stork Club next Wednesday, February 22, exemplifies the variety of talent you can find in the Bay Area.  In addition to my synth pop loops, there will be indie pop music played by the very talented Gabby La La and her new band, Snow Angel.  Gabby La La is a multi-instrumentalist who has shared a stage with the likes of Les Claypool.  I admire both her music and her fashion sense; she achieves in real life what I can only aspire to in avatar form in Second Life.  Her new project, Snow Angel, is wonderfully melodic with dreamy harmonies.

Following Gabby La La will be Silent Motif, an ambient electronica trio lead by Robert Keller.  I have seen them perform online and it was mesmerizing.  Each band member was decked out in a glowing shirt, giving them an otherworldly presence that was reinforced by music that created alien soundscapes ranging from ethereal to cacophonous to (not quite) dance music and then back again.
 Watch Silent Motif’s online performance 

Ending the evening is Ziva Hadar, whose soulful pop reminds me a great deal of Nora Jones. Ziva, whose music combines several genres including pop, jazz and blues, has been creating a buzz in the Bay Area music scene for the past year or so.  She’s just released an EP, Just Another Night.

Finally, I recently had the honor of sitting in on a rehearsal with Debora Iyall and her band.  Best known as the lead singer of Romeo Void, Ms. Iyall has just released an EP, Singing Until Sunrise.  Having grown up in the golden age of MTV, I vividly remember watching the videos of “Never Say Never” and “A Girl in Trouble”.  Her lyrics and presence always seemed far more powerful and subversive than many of the mainstream female artists who claimed to be just that.

The songs on Singing Until Sunrise and Stay Strong, her full length CD released in 2010, have a much different energy than her work with Romeo Void, but the lyrics are still powerful and rich with imagery.   She is playing with Storm Large at The Red Devil Lounge tomorrow evening.

I’ve been a fan of machinima since I discovered the built-in movie making feature of The Sims 2.   I’ve been a resident of Second Life since 2009.  And  I’ve been a fan of the Eurythmics since the 80′s.  This video came together almost effortlessly, thanks to the very talented creators of the Mysterious Waves Sim.  The vocals are actually produced using programmed midi notes and TC Helicon’s Vocal Works Plus vocoder effect. The rest is just minimal synth-pop played real time.  Hope you enjoy it!

Dead Girls Don’t Say No was the name of the first band I was in that  included real, live, non-imaginary people.  We were an all girl punk band and we met exactly once at the guitarist’s house where, rather than practice, we took promo pictures.  I never saw the developed pictures or the drummer again, and eventually the band became a duo, just the guitarist and me. Ultimately we had more photo sessions than performances; actually we never performed for an audience, but Holly Rection (yes that was her stage name) gave good face and we went with what worked.

 There’s nothing more exciting or frustrating than that moment when your band decides promo pictures are needed.  You will most likely do the old favorites that scream “amateur”, such as the band in front of a brick wall (it’s so gritty) and the band in a desolate area where no one looks at the camera (it’s so existential), and you will inevitably come to realize that some band members are less photogenic than others and that rock star sneer that looks so cool in the bathroom mirror actually makes you look like you’ve smelled something bad.

 I’ve gone through my share of photo shoots and hated each one a bit more than the last, always holding on to that glimmer of hope that just once the camera will capture my true essence and the resulting picture will make me look sexy, cool, talented, mysterious, thin, and just recently added to my list of photo musts, young.  That said here are some of the memorable promo pictures of my musical career. You can pick me out because I’m always on the right side of the picture. Weird, huh?

Fiction – Playing obscure prog rock covers in sports bars in Delaware seemed like a good idea at the time, as did this picture perfect shot of us hanging out in a desolate area where I refuse to look at the camera because I’m an existential loner.  I love the fact that our drummer looks like he’s back in prehistoric times and about to invent parididdles.   Had you asked him, he would probably have told you that he did in fact invent paradiddles.  He was jus that kind of guy.

The Lactators – The year was 2002 and we were one of the first all-mom punk bands on the all-mommy band scene. (There really was an all-mom band scene.  Google it if you don’t believe me!)  I love this picture – three moms dressed up as Kiss in front of a refrigerator.  Definitely one of my favorite promo pictures ever.

 

Candy From Strangers

Candy From Strangers – We were a glam-pop-punk band trying to tap into the Blondie “Parallel Lines” vibe, but none of us look particularly comfortable.  This picture made me consider getting my eyebrows professionally waxed and shaped.

The Little Things

The Little Things – Karen and I still play music together and we happen to be playing at The Brainwash Café this Saturday, July 23rd 2011. (Am I slick or what? Look at me getting the plugs in there while still serving up interesting content, eh? )  By the time these photos were taken I had decided the best thing to do was cover as much of my face as possible and smile.  If only I’d thought about covering up my roots as well. 

 

 

Demolicious – When I turned 40 I decided it was time to become the pop starlet I always dreamed of being.  I took the stage name of Demolicious (later to become Demolicious Wonder, thanks to Second Life) and before I created any new music, I decided to take promo pictures, coming full circle on my view of when you need promo pictures.  Oddly enough, I was always hesitant to use these photos. Why?  They look too good.  They look like me, but cuter, cooler and perhaps younger.  It felt like false advertising, but it also goes to prove what the right photographer with the right lighting, make-up and a bit of Photoshop can do.

Now I think I might be in need of some new promo pics to capture the spirit of my latest music.  Not sure what that spirit looks like – weird, sexy, cool, frazzled, mature, cute, disheveled, enigmatic, freak,  mommy, musician?